barcarole:

“Isolation has carved me in its image and likeness. The presence of another person – of any person whatsoever – instantly slows down my thinking, and while for a normal man contact with others is a stimulus to spoken expression and wit, for me it is a counterstimulus, if this compound word be linguistically permissible. When all by myself, I can think of all kinds of clever remarks, quick comebacks to what no one said, and flashes of witty sociability with nobody. But all of this vanishes when I face someone in the flesh: I lose my intelligence, I can no longer speak, and after half an hour I just feel tired. Yes, talking to people makes me feel like sleeping. Only my ghostly and imaginary friends, only the conversations I have in my dreams, are genuinely real and substantial, and in them intelligence gleams like an image in a mirror. The mere thought of having to enter into contact with someone else makes me nervous. A simple invitation to have dinner with a friend produces an anguish in me that’s hard to define. The idea of any social obligation whatsoever – attending a funeral, dealing with someone about an office matter, going to the station to wait for someone I know or don’t know – the very idea disturbs my thoughts for an entire day, and sometimes I even start worrying the night before, so that I sleep badly. When it takes place, the dreaded encounter is utterly insignificant, justifying none of my anxiety, but the next time is no different: I never learn to learn.”

Fernando Pessoa, The Book of the Disquiet, 49 (trans. Richard Zenith)


(via gorunmezadam)


kedidirokedi:

“To ask “What is an animal?” – or, I would add, to read a child a story about a dog or to support animal rights – is inevitably to touch upon how we understand what it means to be us and not them. It is to ask, “What is a human?”

Jonathan Safran Foer, Eating Animals


iyininkotusu:

image

why not sell your sadness as a brand?


classicarte:
“Une peinture par Malcolm T. Liepke
”

classicarte:

Une peinture par Malcolm T. Liepke


vivien-leigh:

She had become adept at putting unpleasant thoughts out of her mind these days. She had learned to say, “I won’t think of this or that bothersome thought now. I’ll think about it tomorrow.” Generally when tomorrow came, the thought either did not occur at all or it was so attenuated by the delay it was not very troublesome.

(via screeningsilver)


unchildhood:

image
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ANIS MOJGANI x ALEXANDER HARDING

‘For Those Who Can Still Ride In An Airplane For The First Time’, spoken word, uploaded on Youtube on 20 Apr. 2009;

Visible Light series (2010), photography

(via luthienne)


screeningsilver:

image
image
image
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scene comparison:

marriage story (2019) dir. noah baumbach

persona (1966) and fanny och alexander (1982) dir. ingmar bergman


sol-lua:

“Love isn’t only love, sweetheart. It’s hard work, and trust, and tears, with even a few glimpses of devastation. But at the end of each day, if you can still look at the person at your side and can’t imagine anyone else you’d rather have there, the pain, the heartache and the ups and downs of love are worth it.”

— (via purplebuddhaquotes)

(via sol-lua)


(via kedidirokedi)


womaninterrupted:

“While melancholy is a state of vague dreaminess, never deep or intense, sadness is closed, serious and painfully interiorized. One can be sad anywhere, but sadness grows in intensity in a closed space while melancholy flourishes in open spaces. Sadness almost always stems from a precise motive and is therefore concentrated, whereas there are no exterior causes for melancholy. I know why I am sad, but I do not know why I am melancholy.”

— E. M. Cioran, On The Heights of Despair, 1934

(via kedidirokedi)